A specialist direct for Mexico-U.S. outskirt intersections misjudges the gravity of his occupation in Greg Morgan’s purposeful anecdote.
A moral story about the Mexico/U.S. outskirt whose legend doesn’t understand he’s conveying unlawful migrants to their passings, Greg Morgan’s The Boatman is forthright with its fanciful references however isn’t adequately sound in its dramatization to make them important. In spite of the fact that apparently thoughtful to those intersection into this nation, it shows small comprehension of them as people, and its ethical point is as sloppy as the Rio Grande-cum-River Styx its saint crosses day by day.
The principal detriment for the film’s validity is that, in spite of the way that each one of its characters hails from Mexico or focuses promote south, the whole script (with the exception of six or seven Spanish words most Americans will perceive) is in English.